"Doin' Me Right" (Cainon Lamb, Miguel Castro, Craig Brockman, M. "Hell No (Leave Home)" (featuring Twista) (Carl Mitchell, Bryan-Michael Cox, Sean Garrett) – 4:44 "Sideline Ho" (Harvey Mason Jr., Damon Thomas, Antonio Dixon, Eric Dawkins, Steve Russell, Tank) – 3:45 "A Dozen Roses (You Remind Me)" (Curtis Mayfield, Missy Elliott, Corte Ellis) – 3:51Ĭontains a sample of Curtis Mayfield's 1972 "The Makings of Me". Gleaton, Charles Hammond, Robert Hill, D'Angelo Hunt) – 3:43Ĭontains a sample of Dem Franchize Boyz' 2006 "Lean wit It, Rock wit It". "Everytime tha Beat Drop" (featuring Dem Franchize Boyz) (J. Daniels, Quincy Jones, James Ingram) – 3:32Ĭontains a sample of Michael Jackson's 1982 "P.Y.T. Arnold, Fred Jerkins III, LaShawn Daniels) – 4:10 "Breaks My Heart" (Carsten Shack, Kenneth Karlin, Shamora Crawford) – 4:26 Elliott, Kanye West, Lee Hatim) – 4:18Ĭontains a sample of The Masqueraders' 1976 "It's a Terrible Thing to Waste Your Love". "Don't Gotta Go Home" (featuring DMX) (Antoine Macon, Ryan Bowser, Earl Simmons) – 3:55 "U Should've Known Better" (Monica Arnold, Jermaine Dupri, Harold Lilly) – 4:17 Elliott, Kenneth Cunningham, Jamahl Rye, Zyah Ahmounel) – 4:02Ĭontains a sample of The Whispers' 1976 "Are You Number One". Brockman, Steve Standard) – 4:19Ĭontains a sample of Strafe's 1984 "Set It Off". "Intro" (Missy Elliott, Craig Brockman) – 1:04 Mille) – 3:51Ĭontains a sample of C-Murder' 1998 "Down 4 My Niggas". Wrice) – 4:24Ĭontains a sample of Tupac' 1997 "Hail Mary". Paquette, Tupac Shakur, Bruce Washington, T. Sharpe) – 4:00Ĭontains a sample of Shuggie Otis' 1970 "Aht Uh Mi Hed". Arnold, Sharmora Crawford, Kenneth Karlin, Shuggie Otis, Carsten Shack, D. "Too Hood" (featuring Jermaine Dupri) (M. Arnold, LaShawn Daniels, James Ingram, Quincy Jones) – 4:00Ĭontains a sample of Michael Jackson' 1983 "P.Y.T. Alpert, Bryan Michael Cox, Harold Lilly) – 3:35Ĭontains a sample of Herb Alpert' 1979 "Rise". "I Keep It to Myself" (Danny Sembello, Marti Sharron) – 4:25 "Right Here Waiting" (featuring 112) (Bruce Gaitsch, Richard Marx) – 4:29Ī Cover of Richard Marx' 1989 original recordings. Savage) – 3:55Ĭontains elements of Diana Ross' 1976 "Love Hangover".Ī Cover of Bobby Montgomery' 1976 original recordings. Arnold) – 3:50Ĭontains a sample of Jermaine Jackson' 1989 "Don't Take It Personal". "Don't Take It Personal (Just One of Dem Days)" (Remix) (M. "Why I Love You So Much" (Daryl Simmons) – 4:30 Latimore) – 4:25Ī Cover of Latimore' 1974 original recordings. "Let's Straighten It Out" (featuring Usher) (D.
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Until then, I guess we can all just chill ‘til the next episode."Don't Take It Personal (Just One of Dem Days)" (Monica Arnold) – 4:18Ĭontains elements of The Detroit Emeralds' 1973 "You're Getting a Little too Smart". Here’s hoping he comes back to The Cap again. He was a weed-smoking Willy Wonka delivering the crowd musical treats and, of course, some gin n’ juice.
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It was all unadulterated fun with so many surprises – from the aforementioned “Jump Around” to the inclusion of tracks he collaborated on – it was awesome for him to rap his parts on Katy Perry’s “California Girls,” and more importantly, the hip-hop groundbreaking tracks “The Next Episode” and “Nuthin’ but a ‘G’ Thang.” Tributes to the Notorious B.I.G., Nate Dogg, and Tupac Shakur were also highlights of the night.Īll in all, Snoop took the audience on a magical ride, smoke-fueled ride. For example, he only sang along with and had the crowd sing to the chorus of Jett’s “I Love Rock & Roll.” But, it didn’t matter. Speaking of the latter, it’s important to mention Snoop really sang or rapped along to portions of a bunch of songs. Original tracks like “Snoops Upside Your Head,” “Wiggle,” and “Ups & Downs” fit right in with remakes of classic songs from mentor Dr. One of the evening’s biggest surprises was a Snoop cover of the House of Pain classic “Jump Around,” which he sang a few verses of before plowing into his mega-hit with Pharrell Williams – “Drop it Like it’s Hot.” Snoop did just that all night - running through his discography (has it really been over 20 years since he released Doggystyle?) and throwing in a bunch of eclectic cover tracks. Over the course of an hour-and-a-half, fans rapped along, sang with, and danced to the vocal stylings of Snoop D-O-double G. The LBC legend commanded the stage from the very first lyric – the fitting opener “Here Comes the King” (off his recent reggae-centric Reincarnated album) – to the show ender “Young, Wild, & Free,” a recent hit he recorded with Wiz Khalifa and Bruno Mars. July 17 / Thursday Written By: Jon Chattman Photos By: Dino PerrucciĪ sold-out crowd at The Capitol Theatre waited quite a bit before pop culture icon Snoop Dogg hit the stage on July 9, but when he finally did roll on at about 9:30 p.m., they were all putty in his paws.